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Sunday, 04 November 2007 |
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Lauren Smith: What is your book about?  The Desert has no King Frederiko Aguilar: This is the story of an ambitious young man, living outside a suburb of Los Angeles, California. It is the story of what all-young gamblers dream of, and few will experience; perhaps survive it. We follow Frankie Santos through his journey of ultimate desire to reach the ecstasy of power, by becoming the next mogul of the largest casino in Las Vegas, Nevada. At the age of 10 years, he pitched pennies and played marbles for money with other neighborhood teenagers. He also started learning the games of poker and horse racing. At the age of 12, he shared his new devotion with his fellow class mates while still in grammar school, and introduced them to poker. As he neared adulthood, he continued to live a life as a financial loser by getting involved with playing the horses almost everyday, and getting involved in backroom poker games with adults. It became detrimental to his welfare and family, until his uncle, a former gambler and current race horse bookie, showed him a better way to make the real money… by becoming the horse bettor sucker's bank. In a very short time, he was becoming a financial success. Being at the wrong place at the wrong time led Santos into a rugged adventure. He interfered with the business of the Mexican Mafia. He is on the run and in hiding in Las Vegas, Nevada. He begins a new journey of big money, greed, drugs… as powerful organized crime enters his world. Lauren Smith: How much research went into writing it? Frederiko Aguilar: I lived in the gambling world for over 45 years, and know people who lived the journey of the underworld. |
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Last Updated ( Monday, 05 November 2007 )
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Sunday, 04 November 2007 |
Lauren Smith: Michelle, tell us about your book?  Confessions of a Catholic Schoolgirl Michelle Kane: The book is about Valerie Bernowski; broken-home princess, obsessive-compulsive perfectionist and...Catholic school survivor. Her story unfolds through intertwining chapters of short stories growing up Catholic in Detroit in the late 1970s and 80s. Lauren Smith: So did you go to Catholic school? Michelle Kane: Yes, I myself, did attend Catholic school for nine years. I think it would surprise most people that private school kids are not saints. Also, surprisingly, the character of "Father Fingers" in CONFESSIONS OF A CATHOLIC SCHOOLGIRL is based on my real life pastor, who was recently on our local news for being "sexually inappropriate" with young girls. So...the rumors about him ended up being true. Lauren Smith: What do you think would surprise people most about Catholic schools? |
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Last Updated ( Monday, 05 November 2007 )
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Wednesday, 10 October 2007 |
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A Virtual Book Review Network Exclusive.... Speaking with David Dent, author of Alex Webster and the Gods VBRN: What inspired you to create a work of science fiction?  Alex Webster and the Gods David Dent: Science fiction and fantasy have always been obsessed with the nature of godhood. The idea came to me in 2002 after reading an article in the Atlantic Monthly on the explosion of new religious movements. The article noted that there were about 10,000 religions competing for our souls and that some sociologists use the idea of a religious economy or spiritual marketplace to explain what helps a religion succeed in gaining followers. One could say that Darwinism had its start in the heavens. Because the capitalist marketplace is the dominant metaphor, if not mythology, of our age, I thought it would be interesting to examine a world where gods are the producers of religious services, competing to meet the demands of humans. VBRN: How did you arrive at the idea of Yahweh as the first capitalist? David Dent: About the same time that I was considering ideas for my book, I was also taking a course in world religions. During one class the professor asked about the nature of god as presented in the Old Testament. Rather than responding from a theological perspective, I considered it from a modern reading of the Bible, asking, What kind of business leader was Yahweh? This was not by chance because my career at that point dealt with issues of corporate governance and management. Interestingly, I found that one can argue Yahweh’s management style evolves from an entrepreneurial, hands-on deity to a maturing manager who, overtime, introduces more sophisticated management and control methods to achieve his goals. The cause for these changes is that Yahweh, like any good manager, learns from experience. His evolution is similar to that of many entrepreneurs who create new ventures and navigate them to successful organizations. In Yahweh’s case, his brand dominates the religion market, with Christianity taking about a 32 percent share worldwide. In other words, Yahweh’s story is not unlike that of Bill Gates or Henry Ford, evolving from a temperamental, even eccentric, entrepreneur to the avuncular, but distant, Chairman of the Board. And the idea tied in beautifully with the notion of a religious market. Arguably, Yahweh is the world’s first and oldest capitalist and, to this point, most successful. VBRN: How did you decide on Jupiter as the old god looking for a comeback? |
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Last Updated ( Friday, 02 November 2007 )
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Lauren Smith: Tell us what Kindred Spirits is about.  Kindred Spirits Christopher Kimball Bigelow: This novel is about a Utah-native Mormon carving out an independent life for herself in the big city of Boston and perhaps biting off more than she can chew. Finding herself still unmarried in her early thirties, Eliza converts and marries a willing local native. However, he brings baggage into the marriage in the form of an adopted daughter, an ex-wife, and the daughter's birth mother, all three of whom, live together in an unusual arrangement and continue influencing the man's life. Getting entangled with these characters causes Eliza to face new realities about people and wrestle with some elements of her Mormon background, such as polygamy. Lauren Smith: Why did you write this book? hristopher Kimball Bigelow: This novel is my fifth book on Mormonism. Much of my other writing taps into my Mormon superego, but this story taps into my Mormon id. I gave myself freedom to explore some of the more juicy, shadowy areas of the Mormon experience, including sexual sin, folk beliefs, and the nature of marriage and relationships. Kindred Spirits is very much a character study, letting realistic characters take their natural paths without trying to manipulate them into idealized behavior, which is what happens in most fiction written by Mormons. I suppose in some ways it's also a character study of my own dark side, as some of the situations and odd beliefs and other story aspects reflect my own autobiographical experience, which I fictionalized by combining my own stuff with other things I've imagined or observed. Another reason I wrote this novel is because I wish there were more Mormon stories executed in a manner similar to top contemporary writers such as John Updike, Philip Roth, Margaret Atwood, Ian McEwan, and other mainstream literary authors. I'm not saying that my novel rises to their level of accomplishment, but certainly Updike is my main influence, and I wanted to attempt something similar. |
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Last Updated ( Monday, 05 November 2007 )
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